Show Time: The Spooky Tunes Concert

With the Children’s Concert with the de Havilland Philharmonic Orchestra over, I can now begin to relax into my next book, Ella Bella Ballerina and Swan Lake. The intense rehearsals, the nerves, the filthy pit of a studio are all gone. My floors are washed, the CD of music is replaced and it’s time to move on. But first I must just linger a little on the memory of yesterday which is something I’ll cherish for a very long time. Really it’s dream come true and, as the orchestra leader remarked, probably a unique way of introducing children to classical music.

The music, beautifully performed by the orchestra under Robin Browning (a fantastic colleague) was just wonderful. To be up on stage, surrounded by these musicians, to feel the boards shake with their sound, is sometimes almost overwhelming. The Swan of Tuonela by Sibelius was an almost transcendental experience, the icy haunting music perfectly capturing a bleak Nordic landscape. To have the honour of painting along to this music and to retell such wonderful stories as The Swan, and Baba Yaga, The Sorcerer’s Apprentice, Peer Gynt and Night on a Bare Mountain, was unforgettable.

There are no photographs of the actual concert, but here is a quick snap of a small section of the stage set up for the performance, just before it began. I paint at the easel you can see, which is hard enough but made harder because it is at a particular angle for the camera. This then projects the paintings onto a huge screen behind the orchestra. Below are preliminary pictures for The Sorcerer’s Apprentice and Peer Gynt. The first was the hardest; the picture had to change as the music told the story, almost like an animation. But Peer Gynt’s Mountain King caused a few problems as well. I had only two minutes or so in which to paint something and in my enthusiasm I sprayed half the orchestra (and their valuable instruments) in emulsion paint! This was during the final rehearsal. I tried to restrain myself during the performance, but Grieg overwhelmed me and it was the audience who got caught out this time!

Now, I may be the one on stage taking a bow and getting bunches of flowers and compliments, but all of this couldn’t happen without my colleagues and friends at the theatre who hold it all together. To Natalie, Nadine, James, Lucy, Gabby and co; And Maureen Irving of the St Alban’s Children’s Book Group, whose vision this was: Thank you one and all… I couldn’t have done it without you!. The idea of children going home humming Dukas or Saint-Saens…or dreaming up their own pictures. That’s what it’s all about. I am proud of what we all achieved together. As the concert was, once again, sold out I am optimistic we’ll be doing a new one next year. Now…what shall we perform? Any suggestions?

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James Mayhew

James is the creator of the much-loved Katie and Ella Bella Ballerina series and has written or illustrated many other books, including Koshka’s Tales, Mouse & Mole (by Joyce Dunbar) and Gaspard the Fox (by Zeb Soanes). Alongside his work in publishing, James performs live on stage during concerts for children, combining live classical music, storytelling and art.

8 responses to “Show Time: The Spooky Tunes Concert”

  1. maryom avatar

    Sounds wonderful

  2. Saviour Pirotta avatar

    Wow, this sounds like it was quite an experience. Bet the kids loved being sprayed with paint. And today I saw someone buying a Katie book from Foyle’s in St.Pancras.

  3. Thomas Taylor avatar

    I’m so pleased for you, James. Congratulations! I love the last picture — are those trolls?

    For next year, how about Cantebloube’s Song’s of the Auvergne? Or does it have to be spooky every time?

  4. Griffin avatar

    Ahhh, the Cats Duet! Wonderful to hear two grown sopranos meowing at each other!! Maybe Beethoven’s Moonlight Sonata and the Pastoral that are evocative rather than narrative. That wonderful bit from Prokofiev’s Romeo and Juliet – Montagues and Capulets I think. It was used for the theme of Cyrano de Bergerac the movie. And Nuits d’ Amour by Offenbach… it’s not offen back but I like it! Oh, and Mozart’s Horn Concerto cos it’s fun! And the Flight of the Bumblebee!

  5. James Mayhew avatar

    Thanks Maryom,

    and it really did SOUND wonderful – the orchestra are really good, made up of a mixture of prfessional and local amateurs…

  6. James Mayhew avatar

    Saviour, it was indeed “quite” an experience. I don’t think I’m a natural for the stage by any means, I get exceptionally nervous. The day of the show I’m always wondering why on earth I got talked into it. But once I’m there on stage and the audience are in, the nerves go and I’m off. It’s a very strange experience, and I feel very unlike “me”. It was a mother I got with the paint, but she was very good humoured about her new bright red hair (ooops). Glad sales of he Katie books are still trickling… and thanks for the kind comments.

  7. James Mayhew avatar

    Hi Thomas,

    yes they are indeed Trolls – for the Peer Gynt piece “In The Hall of the Mountain King”. Only last 2 mins, so it’s a bit frantic! I’d love to do something with voices like Cantaloube, and it doesn’t need to be Spooky. Last year we did Pictures at an Exhibition, and before that Peter & The Wolf and The Firebird. We tried to escape Russia this year (although Liadov and Mussorgsky still featured). I long to do Rimsky-Korsakov’s Scheherazade… but at the moment we are looking at Carnival of the Animals (which is dependant on the cost of hiring 2 grand pianos!!!)

  8. James Mayhew avatar

    Hi Griffin

    thanks for all your brilliant ideas. I love the Prokofiev – a Shakespeare concert would be wonderful (Mendelssohn…Sibelius…Tchaikovsky as well).The conductor is keen to avoid the Russians next year (see above comment) and Flight of the Bumble Bee was used last year as a (very funny) encore (also hitting the 100th anniversary of Rimsky-Korsakov’s death). Anything with a good story attached is going to work…

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