Old Work No.2: Theatre Trouble and Traviata






After graduating from my illustration degree, a National competition was announced to design sets and costumes for a production of La traviata, the opera by Verdi (see elsewhere on my blogs and especially here). It is one of my favourite operatic works and so naturally I thought, “this is it – my opportunity”, and I threw myself into the project. I had no other work to distract me.

The senes created show the tragic consumptive courtesan Violetta Valery, and her Parisian salon; her country house (in symbolic autumnal shades) and finally her decaying Miss Haversham-like bedroom where she dies in the arms of her forbidden lover, Alfredo. The costumes are decorated with camellias in the first act, and I had a very clear vision of how I felt the opera should be presented.

So… what happened? I lost confidence. And not for the first time. The overwhelming thing in life that has held me back is a fear of failure. Rather than face that, I decided to not enter. After all, who did I think I was? I had no training, no understanding of fabrics and making costumes and no concept of stage craft. I overlooked the fact I had passion and fire in my belly and a deep knowledge of the work, the era in which it is set and the costumes and architecture of the period. I also ignored the fact that I had a vision and was inspired. My sensible and anxious voice won, and my day-dreaming risk-taking voice bowed down. I cancelled my application form and shelved the art. It has never been seen by anyone… until now.

Interestingly, I don’t just think – Oh! I wish I’d entered. Mainly I think… these are interesting; but I would approach and interpret the story very differently now, and I think much much better.

Designing La traviata one day remains one of my biggest hopes and dreams. I know I could do it; I know I could do it damned well. I have things to say about this opera, visually, and I would so love to try them out. Maybe one day… who knows? For now I will content myself by playing one of my umpteen recordings and if I close my eyes I can see my sets and costumes come alive in my imagination. I wish you could see them, too. They are very beautiful.

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James Mayhew

James is the creator of the much-loved Katie and Ella Bella Ballerina series and has written or illustrated many other books, including Koshka’s Tales, Mouse & Mole (by Joyce Dunbar) and Gaspard the Fox (by Zeb Soanes). Alongside his work in publishing, James performs live on stage during concerts for children, combining live classical music, storytelling and art.

7 responses to “Old Work No.2: Theatre Trouble and Traviata”

  1. nelly avatar

    Dear James
    How beautiful this pictures are!You should’ve entered….but your destiny would have been different,we all have a STAR that sends us to the path we are meant to be,it may not be what we want but the great ENTITY is the one that decides!Your books are a real inspiration and it will give amny positive points to the young generation that is a bit confused at the moment and they need artists like you to give them a vison!

  2. Swan Artworks avatar

    Hi James,
    I am intrigued to hear about your past lack of confidence from someone as professional, successful and prolific as you… I am also remembering a previous post of yours about not entering your first Katie dummy in the Book Prize…
    I always imagined that the people who have ‘made it’ as such, got there because they had great self belief, focus and determination etc.. ( as well as sheer hard work of course!)
    I love your costumes with the fabric samples and the stage sets… You sound so passionate about this subject I’m sure you must carry on with this someday…!
    Best wishes, Carrie…

  3. James Mayhew avatar

    Dear Nelly: Thank you for the kind words! Yes destiny plays it’s hand, I’m sure.

    Carrie: Thank you for looking. I think a lot of creative people lack confidence, and certainly I sometimes imagine what I could have achieved with a bit more self-belief! Most of the illustration students I teach are quite fragile characters, self-critical. Perhaps it’s an illustrator thing. I don’t know. But the self-doubt is definitely there, believe me!!! I’m never really happy with anything I do. And that’s (I suppose) what drives me!

  4. Julia Kelly avatar

    These are wonderful- and I am sure would of been more than equaviliant to any of the other contenders- I hope you get the opportunity in the future to realize your dream!

  5. James Mayhew avatar

    Perchance to dream…

  6. Carol avatar
    Carol

    I simply love your work! I love writing, and I love illustrations. I also admire illustrators such as Quentin Blake, especially his illustrations in Roald Dahl’s books. I want to draw, not professionally, just for myself and my family, mainly to accompany what I write. Without having to take a class, what do you recommend? Also, are there any places where I can get royalty free or copyright free black and write illustrations?

    1. James Mayhew avatar

      Thank you for your kind message. I recommend trying different materials. Different tools suit different artists. I much prefer ink to pencil, for example. Dover publishers produce lots of books containing copyright free images. I’m sure if you search online you’ll find about about them. They are wonderfully useful books!

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