Opera and Ballet and Cath Kidston


A new arrival came in the post yesterday, the first copy of the new Ella Bella story, based around Cinderella(displayed here against my wife’s Cath Kidston table-cloth, for full retro effect). The ballet by Prokofiev is a little different to the usual story, and little Ella Bella finds herself swept up into another magical world of music and story.

The illustrations are created in three complicated layers, to recreate the vintage methods used in the 40’s and 50’s…So it’s only now it’s printed that I can see the full effect. Overall I’m pleased. I wanted a dusty pink cover, and here the shocking fuschia needs sunglasses! But the audience – little girls – will love it, so who am I to spoil their fun?

Speaking of Cath Kidston, I went to Covent Garden yesterday for the final dress rehearsal of Tosca (see my post “Tosca’s Kiss). It was tremendous, although I nearly missed curtain-up, on account of my attendant wife who couldn’t quite manage a visit to Covent Garden without investigating the Cath Kidston sale. Even I can see how seductively the shop is laid out…but I managed to drag her away in time to see my favourite diva Nelly Miricioiu as Puccini’s doomed heroine. We had (complimentary)tickets in the stalls, so it was a real treat. Now it’s back to Katie book 10…and it’s hard to return to normal life after such exciting events. But I must…the deadline approaches!

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James Mayhew

James is the creator of the much-loved Katie and Ella Bella Ballerina series and has written or illustrated many other books, including Koshka’s Tales, Mouse & Mole (by Joyce Dunbar) and Gaspard the Fox (by Zeb Soanes). Alongside his work in publishing, James performs live on stage during concerts for children, combining live classical music, storytelling and art.

4 responses to “Opera and Ballet and Cath Kidston”

  1. joanne May avatar

    Hi James,
    Congratulations on receiving a copy of your new book. It looks great!
    I am an illustrator too. I work in more traditional methods like you. I use pencil and watercolour on paper.
    I’m in the process of searching for a publisher at the moment and I wondered if you could please give me some advice.
    Would you recommend having an agent?
    I am in two minds about having one.
    I hope you enjoy blogging.
    Many thanks.
    Jo.

  2. James Mayhew avatar

    I’d be happy to help if I can. I think agents can be wonderful…or terrible! It depends very much on you and your relationship with them. It is a good idea to ask yourself: what do you want an agent for? I would look for a Literary Agent, and one who will nurture your talent, inspire and motivate you. My first agent, Gina Pollinger was wonderfully maternal and encouraging. Subsequent agents have been very good with the business/contract side of things, but I really need someone who will give me confidence and inspiration. Right now, I don’t have an agent.

  3. joanne May avatar

    Thank you James for your very clear reply about agents.:)
    I think I am like you. I would need an agent who will nurture my creativity or at least be supportive. It feels a bit like a minefield out there in the publishing world!
    I think agents and publishers are cutting back and not taking on so many new illustrators at the moment (with the state of the current economy).
    Anyway thanks again for your encouraging words.
    Jo.

  4. James Mayhew avatar

    I think the “credic crunch” is affecting things. Also bookselling has changed with many shops closing and the internet taking over. New digital technology (Nintendo/Kindle) is also making them (publlishers)nervous. Having said that, I think children’s publishing is more resiliant than other areas. Illustrated books will never work so well in a digital format (and you wouldn’t give expensive consoles to pre-school children!). And people will always have babies!

    So…I would say, hang in there, keep developing new work, new ideas, and send things regularly. It’s all about the right image at the right time!

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